: Cassado, Gaspar – Suite For Cello – Universal Edition: Books. Heather Hanson, Shar Apprentice For Solo Cello. Published by Universal Edition . Gaspar Cassado, Johann Sebastian Bach – 6 Suites for Solo Cello Cassadó: Suite for Solo Cello / Schubert: Sonatine in D major / Chopin: Cello Sonata in G. This suite for solo cello from is suitable for advanced players and professionals. Cassadó Gaspar: Sonata in the Old Spanish Style · Web Cover. €
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The dance-like quality of the second movement scherzo is rough, swaggering and full of ostinato rhythmic energy.
With a repetitive structure playfully phrased in alternating fragments of forte and piano, it drums its way into your head to become the most memorable melody of the movement.
Toccata in the style of Frescobaldi. Solo suite for cello, 3rd movt Composer. Performances Popular All Recommended. The concluding Allegro is a clearly structured rondo in which the eccentric but playful opening theme occurs three times, separated by two contrasting episodes, the second of which sees the piano take off for the races. If you find the casssado content factually incorrect or highly offensive you can edit this article at Wikipedia. And he was more than a passable cellist, to boot, soli been taught while still a princeling-in-short-pants by the casaado court cellist Jean-Pierre Duport for whom the Op.
Castilla-La Mancha, Catalonia and Andalusia. Radio 3 in Concert. Sign up to get free in-depth coverage on up and coming artist and more! Dance suits the Green Devil. Cervera suggests that the two presentations of the opening theme, one fortethe other pianorepresent in turn Don Quixote and his beloved, Dulcinea.
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Forgotten Cellists: Gaspar Cassadó :
Toccata in the style of Frescobaldi Composer. Dance of the Green Devil Composer. The last movement is the vaspar in which the spirit of the dance is most evident, with the snap of castanets imitated in sharp, abrupt rhythms, the strumming of the guitar in flamboyant arpeggio patterns, and the harmonies of Spanish folk music in the distinctive pattern of the four-note descending bass line.
The sardana is a dance in three parts, the middle section being more lyrical and in a minor key. Sign in to the BBC, or Register. tor
The exposition of the immediately following sonata-form movement virtually overflows with melodic ideas: Suite for solo cello Composer. The second, in particular, seems almost sentimental, without even a touch of sarcasm. Site lamentation like you’ve never heard before.
Added, go to My Music to see full list. Despite its mere two movements, there is nothing small-scale about this sonata. The intervening episodes, and even the refrain theme itself are continually developed and varied—sometimes cast in the minor mode, sometimes with the instruments chasing each other in canon—as if in a sonata movement.
Hear a contemporary piece using Cello and voice. Is Classical the New Rock ‘n’ Roll? The city of Barcelona awarded him a scholarship so that he could study with Casals in Paris.
Cassado, Gaspar – Suite For Cello – Universal Edition
When he was nine, he played in a recital where Pablo Casals was in the audience; Casals immediately offered to teach him. The first cssado second themes of the sonata-form first movement are both lyrical in inspiration.
Each begins with an introductory adagio leading into a sonata-form allegro and ends with a rondo finale. Read more at Wikipedia.
More by Gaspar Cassadó
Capping off the first movement is a coda in which Beethoven lets his instrumentalists mull over what they have just played for the last time before the movement ends, grimly and grudgingly, with a stiffly Baroque tierce de Picardie in G major. What more attractive model to take for a sonata to be performed with Duport in front of the King himself?
Prom 39 Queen’s Hall. Born in Barcelona inhe was discovered at the age of nine by a young Catalan cellist just starting out on his career, the year-old Pablo Casals, and Gaspar was accepted to study with him in Paris on a scholarship from his native city. An unusual feature of this movement is how it slows to a glacial pace in recapitulating the first theme at its conclusion.